Amon Carter Museum of American Art, Fort Worth, Texas, Amon G. Carter Collection . Bronze; height 9 , width 9 58, depth 10 58 inches. Pleaseemail usif you have further information on the rights status of a work contrary or in addition to the information in our records. 3b and 4b). Compare foundry mark and detail to the other cast of The Cheyenne. Find prices for R foundry mark to help when appraising. [9] Some of the molds were moved to warehouses in Copiague, New York, under the aegis of American Art Restoration, Inc.[10]. Gilcrease purchased it from the Douthitt Gallery. Make a Gift to the Collection. The . Eligible for Return, Refund or Replacement within 30 days of receipt. 1876-1917). Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. Further, the diminutive nose and upper lip were remodeled, resulting in oddly puffy features. If you have corrections or additional information about this object pleaseemail usto help us improve our records. The Griffoul inscription seems intended to imply that the cast is from the period, since the foundry was in operation only until 1918,9 but the interior of the cast reveals very bright, new-looking metal with none of the mellowing from decades of aging found inside the Metropolitan Museums example. The Highs bronze seems to have been made from a slightly worn plaster and therefore lacks some of the crispness ordinarily expected of a lost-wax cast. 1996-2023, Amazon.com, Inc. or its affiliates. From The Magazine ANTIQUESNovember 2006. 11 The lack of a date does not alone prove the cast is spurious. Some models that were never cast during his life were replicated in editions under Augustas auspices, such as the Victory statuette, modeled in 1902, that was excerpted from the Sherman Monument (1892-1903) in New York City, or reductions after the Standing Lincoln (1834-1887) statue in Chicago. 5a), while the most casual examination of the Griffoul-marked version reveals indiscriminately applied globs of material intended to approximate curls (Fig. Signed and dated Paul W. Bartlett/1887 on the left of the self-base, and inscribed SB 19[32? The most interesting contrasts between these two bronzes are found in the details. The Gorham cast has small semicircular stemlike protrusions that alternate with the frogs (see Fig. UNT's history and scholarship, library special collections, plus a We are sorry. Tulsa: Gilcrease Museum, https://collections.gilcrease.org/object/0841 (03/26/2019). We work hard to protect your security and privacy. (1879-1977): DOG LYING DOWN Bronze, inscribed 'c.c. for conformance to specific guidelines. 9). According to Thomas P. Somma, Paul Wayland Bartletts papers at the Library of Congress, Washington, D.C., include orders filled between 1888 and 1894 for thirteen 27-inch reductions of the bear tamer and standing bear (an example is in the Heckscher Museum of Art, Huntington, New York); and fourteen 17-inch reductions were made during the same time period (an example is in the Smithsonian American Art Museum, Washington, D.C.). Category Furniture 9 Decorative Objects 9 Its mold makers, casters, chasers and finishers, and patinaters worked directly with sculptors whose plaster and terra cotta models provided the originals. For better photos and excellent information on Remington's sculptures, see Icons of the West: Frederic Remington's Sculpture by Michael D. Greenbaum, Frederic Remington Art Museum, 1996. We dont share your credit card details with third-party sellers, and we dont sell your information to others. The foundry mark is on the base. Recasts of this and other models by Frishmuth have been seen with enough frequency that their earmarks are now recognized. [citation needed] History [ edit] The Roman Bronze Works of Corona, New York, was the foundry of choice for artists working in the United States and Canada during the first half of the 20th century, it represents a comprehensive survey of all the fine art casting that was being done during the period. It is possible to conduct research into the history of American sculpture only through an archive of this magnitude. Foundry Mark: On side of base: ROMAN BRONZE WORKS N- Y-Collection Name. 9 Active from 1910, Griffoul produced small bronzes for Vonnoh and such contemporaries as Bartlett and Abastenia St. Leger Eberle (1878-1942). (58.7 x 45.1 x 36.8 cm), Credit Line: Stephenson Grand Army of the Republic Memorial, Metropolitan Museum of Art: American bronze casting, "Streetscapes: Tiffany Studios; In Queens, a Remembrance of a Luminous Legend", "Queens Foundry Owner Charged in Manhattan Federal Court with $11 Million Scheme to Sell Fake Jasper Johns Sculpture", "Authorities Cast Queens Foundry Owner as Forger", "Queens man tried to sell fake Jasper Johns sculpture for $11 million: prosecutors", "LIC sculptor pleads guilty to forging original pieces", "SIRIS - Smithsonian Institution Research Information System", Smithsonian Institution items cast by Roman Bronze Works, https://en.wikipedia.org/w/index.php?title=Roman_Bronze_Works&oldid=1124227007, Manufacturing companies based in New York City, Articles using NRISref without a reference number, Articles with unsourced statements from August 2012, Creative Commons Attribution-ShareAlike License 3.0, The Great Rivers, the Missouri and the Mississippi, by, This page was last edited on 27 November 2022, at 23:13. Thus measurements can never be the sole means for determining the legitimacy of a cast. ^)"'i1(*Mf}'Bzm$m|DK 1 \sm?N]ugW)L7&_ZJMlbW +'{?:$>%4}B^hZWPr. On the latter it is bent backward at the wrist with the thumb and fingers tensed, a gesture meant to exhibit surprise, rather than the flatter, more upright position on the fake. Iowa State University, Farm House Museum, Parlor, University Museums, Iowa State University eMuseum. However, the bulk of the book is devoted to a picture album of sculptures supposedly produced by the firm by about one hundred sculptors. We continue to research and examine historical and cultural context for objects in The Met collection. Foundry marks are nearly always inscribed with elegant simplicity and are as difficult to fake as signatures. The Metropolitan's bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works. Helmerich Center for American Every effort has been made to accurately determine the rights status of works and their images. At first glance the spurious cast might appear to have greater detail because of its strongly ridged texture (see Fig. Frishmuth modeled a small version of Play Days in 1925, following the success of her 52 -inches-tall fountain of the same title made the preceding year.12 The juxtaposition of a fine lifetime Gorham cast (Fig. 10 Before her marriage to the painter Robert W. Vonnoh (1858-1933) in 1899, the sculptor most often signed her works Bessie O[nahotema]. Category Vintage 1910s American Classical Greek Figurative . In the decades following the turn of the twentieth century, it was not uncommon for family members of deceased sculptors to continue making bronzes from original models. For descriptions of these methods, see Malvina Hoffman, Sculpture Inside and Out (W. W. Norton, New York, 1939), pp. Sculptors foundations and estates that cast bronzes posthumously and wish to make the practice transparent, mark these bronzes to indicate the edition numbers, when they were cast, and who made them. The Metropolitans bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works. Necessary steps for judging the quality of a bronze sculpture include: determining how the cast was assembled from examining its seams and joints; inspecting its interior for clues about the casting method; feeling its thickness and heft to determine if it was made with the minimum amount of metal; noting how it is mounted to a base and whether anything is being intentionally hidden; scanning the surface to see how well it is chased; and knowing what to expect of original patinas on old bronzes. 239 0 obj <>/Encrypt 222 0 R/Filter/FlateDecode/ID[<5367D23A307F3E4E93F3489887A339BD><3CA4A850BE7F24498C7C7CAB15355240>]/Index[221 40]/Info 220 0 R/Length 82/Prev 214863/Root 223 0 R/Size 261/Type/XRef/W[1 2 1]>>stream Assessing bronzes that were cast without the involvement of the artist is particularly demanding, and posthumous, or estate, casting is further complicated by ethical concerns. Patinas found on fake examples of Play Days are, like the one in Figure 2, often brushily applied approximations of Frishmuths signature color, and usually much of the top layer is wiped down to suggest age. represent a vast and fascinating collection of sculptures, ranging from the monuments of French and Saint-Gaudens to the cowboys of Remington and Russell, from the grand and graceful figures of Paul Manship and the charming salon pieces of Bessie Potter Vonnoh, to the brilliant abstractions of Archipenko and Calder. Bronze sculpture made in the United States between 1845 and 1945 was little studied and largely undervalued until it began to attract interest in the early 1980s. Double take: A closer look at American bronze sculpture. 0 Smithsonian American Art Museum 8th and G Streets, NW Washington, DC 20004 Hours Mon - Sun: 11:30 am7:00 pm Renwick Gallery Pennsylvania Avenue at 17th Street, NW Washington, DC 20006 Hours Mon - Sun: Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method, and was the country's preeminent art foundry during the American Renaissance (1876-1917). [2] The foundry trademarked its namesake, Roman Bronze Works in 1900. The business archives were preserved and are now at the Amon Carter Museum Library in Fort Worth, Texas. Biography Roman Bronze Works in New York City, established in 1897 by Ricardo Bertelli, was the pre-eminent bronze foundry in the United States during the age of Beaux-Arts style sculpture and continued to cast modernist sculptures. The head and ears of the sand cast are also more naturalistic, with actively modeled fur (Fig. This book will only serve to frustrate collectors, dealers, scholars with a serious interest in a field which has only recently received serious attention. about this topic here. In 1895, he began to exhibit his bronzes of cowboys and horses in motion. After 1900, his illustrative style shifted to one of Impressionism, as he became influenced by the work of Monet, Childe Hassam, and John H. Twatchman. It was added to the National Register of Historic Places in 1982 as the Leo Friedlander Studio. Their archive 1902 through 1977 was acquired by the Amon Carter Museum of American Art. In general, the lighter the cast, the better the cast, for a thin-walled bronze indicates that the wax was applied to the inside of the negative mold with expertise and finesse. The rule of thumb is that shrinkage in a surmoulage is about three-sixteenths of an inch (.476 centimeters) per foot in every dimension. H 14.5 in. Tulsa, OK 74104, Main: 918-596-2700 Broadening scholarship has brought recognition to the variety, quality, and importance of this field of American art, just as the market value of sculpture continues to rise. Learn more how customers reviews work on Amazon, Schiffer Pub Ltd; Illustrated edition (April 10, 2002). Interested in American bronze sculpture? Other distinctions are found in the facial features. 3 See, for instance, Janis Conner, Cast Comparisons, in Conner et al., Captured Motion: The Sculpture of Harriet Whitney Frishmuth (forthcoming, Hohmann Holdings, New York, November 2006); or David B. Dearinger and Thayer Tolles, Side by Side: American Sculpture, American Art Review, vol. Charles M. Russell Bronze 1961.123 Counting Coup, 1905 Charles M. Russell Bronze 1961.116 The Choosing of the Arrow, 1848 Henry Kirke Brown Bronze 1997.143 The Stampede, 1909 Frederic Remington Bronze 1961.12 Indian Hunter, 1914 Paul Manship Bronze 1997.3.A Study for a Monument to Walt Whitman, 1919-1920 Bronze 2001.1 Inspiration awaits you! Next to their contemporary, Gorham Founders Co., Roman Bronze Works was one of the first American foundries to succeed commercially with the cire purdue, or lost-wax, casting method. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.Learn more how customers reviews work on Amazon, [{"displayPrice":"$80.62","priceAmount":80.62,"currencySymbol":"$","integerValue":"80","decimalSeparator":".","fractionalValue":"62","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"Qr6vXi03PZosKmaUQ29uXRzoNHB0VGa1btFO0yEAiUsdj9Hl%2Fv7PFGPwjzMEVEIPvmYUDPraWIqJe%2Bdu3bUPdbXAKFdxZx%2BIkPFHW2asWLMUL7H8ENB68qU4K%2FblIAvso3N5N%2FdkFGJIBHW%2BCyruzg%2By43xkJHh2pyTZH7XgXug%3D","locale":"en-US","buyingOptionType":"NEW"},{"displayPrice":"$75.99","priceAmount":75.99,"currencySymbol":"$","integerValue":"75","decimalSeparator":".","fractionalValue":"99","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"98iPo5iwd%2FvMwM9C%2BN4nAwYmXVuZRDBIPvaaBQxGyhAZIHQQ%2BmhXaGOyh7%2BUhFevM6KdYDNRk%2BIhdi50f82VGU3NdSRILZ4rexoWB3m3Iu9L%2FFqQCp7UJ2%2FN6VF8EJNIeAR16Q7diwf%2Fyf0q57jNb%2Fb1f8ywl3bdU8Qf5SI29Kk7XcE3XIv0BA%3D%3D","locale":"en-US","buyingOptionType":"USED"}]. Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method, and was the country's preeminent art foundry during the American Renaissance (1876-1917). [3], In 1908, the foundry built a home and studio for sculptor Harry Merwin Shrady at White Plains, New York. 23 1/8 x 17 3/4 x 14 1/2 in. In fact, you will find no useful documentation of the pieces exhibited. 4a). %PDF-1.6 % Tulsa, OK 74127, New Mailing Address: Further refinements are achieved by chasing, when the metal, which is relatively soft, is hammered and smoothed of imperfections and details are enhanced. Instant price guides to discover the market value for R foundry mark. From 1898, Frederic Remington worked exclusively with Roman Bronze Works, as did Charles M. Russell. Amazon has encountered an error. We know of at least one legitimate cast of this model without an inscribed date. 3a), while the lost-wax version reveals fewer separations in the tufts of the coat as well as areas that were reworked, and in some cases, slightly exaggerated (Fig. For partners and peer institutions seeking information about With works sited outdoors, natural oxidation of the metal occurs from exposure to weather and pollutants. Remington bronzes were being cast by Roman Bronze Works as late as the 1980s. 6'LI:H)/P -3392/R 4/StmF/StdCF/StrF/StdCF/U(KOaLq )/V 4>> endobj 223 0 obj <> endobj 224 0 obj <>/MediaBox[0 0 612 792]/Parent 219 0 R/Resources<>/Font<>/ProcSet[/PDF/Text/ImageB/ImageC/ImageI]/XObject<>>>/Rotate 0/Tabs/S/Type/Page>> endobj 225 0 obj <>stream 7). 800 S Tucker Dr How does the depiction of action in sculpture compare and contrast to action in an illustration or in literature? It is also possible that it was made at another foundry where the Roman Bronze Works foundry mark was applied using individual letter stamps with the intent to deceive. Historic newspapers digitized from across the Red River. Please try again. %%EOF In February 2003 he pled guilty to making unauthorized copies of sculptures, agreeing to pay $100,000 in restitution. This book does not do it justice. The Roman Bronze Works was one of the United States' leading fine-arts foundries in the first half of the twentieth century. Other Notes: tags: bronze, Native American, 20th century, Western 5c); but on the Griffoul-marked example the date is omitted (Fig. Read more It looks like WhatsApp is not installed on your phone. Ears of the horse and surrounding hair . Signatures and foundry marks often give telling evidence of authenticity, and learning how they should look is an important skill. The lesser cast shows rough tooling along the outside of the foot, and the lower area is crudely incised to indicate separation (Fig. Established in 1897 by Riccardo Bertelli, it was the first American foundry to specialize in the lost-wax casting method,[1] and was the country's pre-eminent art foundry during the American Renaissance . 2). 5 and 6). This particular comparison, however, turns the tables on expectations because the Metropolitans sand cast, which was probably made around the turn of the twentieth century, has more definition than the High Museum example. 2) offers the readily visible distinctions between them. Share Feedback. Bronze statuettes enjoyed their greatest popularity as affordable domestic decoration at the turn of the twentieth century. In the instance of multiple casts of a model, called an edition, unless a particular cast is numbered or uniquely marked, it is difficult to distinguish one cast from its very similar siblings. Cast by Roman Bronze Works Object Format. 4 In 1889 the Paris foundry Siot et Perzinka bought the exclusive rights for a ten-year period to cast and sell the large group with the option to make and sell reductions and enlargements. In the authentic cast, the brows are modeled as subtle ridges, whereas the surface of the surmoulage has simply been incised. 3501 Camp Bowie Blvd. Pictures, short biographies, and descriptions of each sculpture were good, but the photos lack any dimensions of each piece or when they were made to put them into perspective of each of the sculptor's life work. An early Roman Bronze Works casting, now in the collections of The Metropolitan Museum of Art in New York, is specially marked, on the base, "CAST FOR GEO. Bronze has been used to cast objects since ancient times. Shipping cost, delivery date, and order total (including tax) shown at checkout. See Conner et al., Captured Motion, p. 249. View Full Details. (58.7 x 45.1 x 36.8 cm), American Scenes of Everyday Life, 1840-1910, Bronze Statuettes of the American West, 1850-1915, The United States and Canada, 1900 A.D.-present, Pitched It Sheer into the River . Please use a different way to share. Roman Bronze Works was the first American foundry to specialize in the lost-wax casting method [2]. Gilcrease Museum The amusing stuporous gaze of the Metropolitans bear is absent in the Highs animal because of differences in the handling of the pupils, lids, and fur around the eyes. As part of, Frederic Remington (American, Canton, New York 18611909 Ridgefield, Connecticut). Often the sculptors founder of choice-even the same foundry artisans-were employed. It is particularly helpful when two casts of the same model can be studied in tandem so that their similarities and differences can be judged point to point,3 an opportunity that is presented in the three pairings in this article: Bartletts Bear Cub Grooming demonstrates variations between a lifetime sand cast (Fig. List prices may not necessarily reflect the product's prevailing market price. Bronze casting technology arose in the United States in the mid-nineteenth century. Shenanigans at the Roman Bronze Works may have resulted in this unauthorized and poor quality cast. All of Remington's originals were produced by only two firms: Roman Bronze Works and Henry-Bonnard Bronze Co. Any other name is automatically a forgery. Good vintage condition Fort Worth, TX 76107. endstream endobj 222 0 obj <>>>/Filter/Standard/Length 128/O(&Us \\! Toll-free: 888-655-2278 If you have time, write the story of your cowboys. Right: Bear Cub Grooming, by Bartlett, modeled 1887; this authorized posthumous cast 1932(?). Whoever is producing them seems to have had success in passing them off to the less sophisticated sector of the market. 9). (2 +Nc6-z}M~DH gf:K$Fm-3G2=08h"TL59B#Fv\u**Z $g( Remington bronzes were being cast by Roman Bronze Works as late as the 1980s. Ramsey' and 'M.H.R.', marked 'Roman Bronze Works' and numbered 16/16. 260 0 obj <>stream The preference for bronze had taken firm hold by the late 1860s when it was used to reproduce the burgeoning numbers of public sculptures, designed mostly for East Coast cities, to commemorate Civil War heroes. accessed March 2, 2023. Gilcrease Council [12][13][14] He was arraigned in October 2002 on charges of grand larceny, falsifying business records, scheme to defraud and criminal simulation. 1876-1917). Examples of the same model made years apart will have more conspicuous distinctions, primarily in chasing and patina. Good vintage condition with age appropriate patina. It is the fullest surviving record of any historic American fine arts foundry. overall h. 5-3/8", w. 2-1/2", d. 1-3/4" Next to their contemporary, Gorham Founders Co., Roman Bronze Works was one of the first American foundries to succeed commercially with the cire purdue, or lost-wax, casting method. Thomas Gilcrease Institute of American History and Art, 1400 N Gilcrease Museum Rd Estate casting continues to the present for works by sculptors including Alexander Phimister Proctor, Solon Hannibal Borglum, Gaston Lachaise, and Elie Nadelman. A plaster positive mold can be used to produce only two or three negative (hollow) molds before losing its freshness. Our payment security system encrypts your information during transmission. As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes. Janis Conner and Thayer Tolles are coauthors with Leah Lehmbeck of Captured Motion: The Sculpture of Harriet Whitney Frishmuth, to be published by Hohmann Holdings in November 2006. The book starts off well enough with a brief, though undocumented, history of this important American bronze foundry. A Century of American Sculpture: The Roman Bronze Works, Reviewed in the United States on July 17, 2002. The American Wing's ever-evolving collection comprises some 20,000 works by African American, Euro American, Native American, and Latin American artists, ranging from the colonial to early-modern period. To add the following enhancements to your purchase, choose a different seller. diss., University of Delaware, 1995, and UMI, Ann Arbor, Michigan, 1996), p. 225. Artists who were closely involved in the casting process believed in the individuality of the single cast within an edition. 4); Bessie Potter Vonnohs His First Journey, between a lifetime cast with a documented provenance (Fig. [4], Long a sub-contractor to Louis Comfort Tiffany's Tiffany Studios, the foundry moved in 1927 to Tiffany's red brick factory in Corona, Queens, New York.[5]. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. Get the insider scoop about upcoming events, current exhibitions, and the latest news from the Carter. The only concrete means for determining the authenticity of a bronze cast is documentation of its ownership. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. I found this book an interesting read but it is not a comprehensive listing of all the Bronzes coming out of the Foundry. The collection consists of: Ledgers (1902 to 1919) of the foundry's early years The business archives were preserved and are now at the Amon Carter Museum Library in Fort Worth, Texas. Remington is known as one of the premier artist of the American West. However, it is doubtful that this is the original cast number 47. The Gorham cast has four tiny copper leads from the central pipe that continue through the base and out of the frogs mouths. Lucy D. Rosenfeld is the author of over 20 books on art and architecture and the relationship of the historic arts and with the contemporary world. 1915 Bronze Potter.. If the provenance can be traced from the artist, gallery, or individual that first sold the cast to the present, it can be deemed a legitimate replica of the artists model. They also scaled down monumental and other finished works for editions of collectors' bronzes, allowing works by Daniel Chester French, Augustus Lukeman [6] and Augustus Saint-Gaudens to ornament a private library or drawing room. hbbd``b`6C6`$X@He`":@Dg1012e`!Q-@ EQ A brief video of the lost-wax process is available on the Victoria and Albert Museums Web site: http://www.vam.ac.uk/collections/sculpture/bayes/video_bronze (accessed July 14, 2006). Some were made to preserve models not cast during his lifetime; others were produced to sell for funding to preserve the Paris studio, an effort that ultimately failed. The model for The Cheyenne was created in 1901. Detail is lost in the moccasins and feathers and the hand/wrist articulation is poor compared to the other cast of The Cheyenne (0827.40). 5 The Medallic Art Collection of American Bronzes, Sotheby Parke-Bernet, New York, September 29, 1977, Lot 89. The examples of Bear Cub Grooming in Figures 3 and 4 present two legitimate bronzes that were made by different methods by different foundries at different times. View Full Details. bronze trophy was cast by America's premier art bronze foundry, the Roman Bronze Works in New York City, for the Intercollegiate Associ. We are grateful to the following for generously providing information and assistance for this article: Julie Aronson, Cincinnati Art Museum; Joseph Coscia Jr., Metropolitan Museum of Art; Jonathan Frembling, Amon Carter Museum, Fort Worth, Texas; Dr. Michael L. Nieland of Pittsburgh; Mary-Kate OHare, Newark Museum; Mark Ostrander, Conner Rosenkranz; Thomas P. Somma, University of Mary Washington Galleries, Fredericksburg, Virginia; Sylvia Yount, High Museum of Art; and Janet Zapata. 8 In a work this small the rule-of-thumb difference of approximately three-sixteenths inch loss per foot for a surmoulage is difficult to measure with accuracy. Left: Bear Cub Grooming, by Paul Wayland Bartlett (1865-1925), modeled 1887; this cast c. 1900. 12 Of the edition of ninety-nine lifetime bronzes, ninety-three were cast by Gorham and six by the Roman Bronze Works. Remington, Frederic. In the copy the topknot has been heightened, the tendrils in front of the left ear no longer look like corkscrew curls, and the rest of the hair looks like it has been raked rather than deftly modeled. 4; Printing and Typography--Sparling, H.H. That would be useful but, in typical Schiffer indifference to reproduction quality, the photos are often grainy and/or blurry. The example in Figure 5 sets a standard of excellence and has a clear provenance, as it was purchased directly from Vonnoh by the Metropolitan Museum of Art in 1906. Such details reinforce our understanding of the artists narrative intent-and how easily it can be subverted by changes that occur during the production of a fake. It might seem daunting at the outset, but learning to recognize the distinctions between a good bronze and a spurious one and to discern subtle differences between casts in an edition can be done with confidence.